Vladislav starevich biography of nancy

Ladislas Starevich  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Vladislav Starevich (August 8, – February 26, ), was a Russian and Frenchstop-motionanimator notable as the author of the first puppet-animated film (i.e. The Beautiful Lukanida ()).

Vladislav starevich biography of nancy sinatra Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ladislas Starevich" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License ; or on research by Jahsonic. Starer, Robert. Starevich conceived The Hangover , using images not included in The Mascot. Of these, The Beautiful Leukanida premiere - , a fairy tale for beetles, earned international acclaim one British reviewer was tricked into thinking the stars were live trained insects , while The Grasshopper and the Ant got Starewicz decorated by the czar.

He also used insects and other animals as protagonists of his films. (His name can also be spelled Starevitch, Starewich and Starewitch.)

Early career

Władysław Starewicz was born in Moscow, Russia to Polish parents (father Aleksander Starewicz from Surviliškis near Kėdainiai and mother Antonina Legęcka from Kaunas, both from "neighbourhood nobility", in hiding after the failed Insurrection of against the Tsarist Russian domination), and had lived in Lithuania which at that time was a part of the Russian Empire.

The boy was raised by his grandmother in Kaunas, then a capital of Kovno Governorate. He attended Gymnasium in Dorpat (today Tartu, Estonia).

Vladislav starevich biography of nancy allen: Views Article Discussion Edit History. James Press, Under pressure from distributors, the length was greatly reduced. He eventually forgives his wife and they go to see a movie; however, the projectionist is the cameraman, who screens the husband's infidelity

Starewicz had interests in a number of different areas; by he was named Director of the Museum of Natural History in Kovno, Lithuania. There he made four short live-action documentaries for the museum. For the fifth film, Starewicz wished to record the battle of two stag beetles, but was stymied by the fact that the nocturnal creatures inevitably went to sleep whenever the stage lighting was turned on.

Inspired by a viewing of Les allumettes animées [Animated Matches] () by Émile Cohl, Starewicz decided to re-create the fight through stop-motion animation: by replacing the beetles' legs with wire, attached with sealing wax to their thorax, he is able to create articulated insect puppets. The result was the short film Lucanus Cervus (), apparently the first animated puppet film with a plot and the natal hour of Russian animation.

In , Starewicz moved to Moscow and began work with the film company of Aleksandr Khanzhonkov. There he made two dozen films, most of them puppet animations using dead animals.

Vladislav starevich biography of nancy pelosi One story holds that the highly regarded Khanzhonkov had contacted Starewicz about a documentary project on Kaunas, but another version noted that Starewicz had won the Christmas masquerade in Vilnius for three years in a row, and word of the eccentric who collected insects and devised outlandish costumes piqued Khanzhonkov's interest enough to offer him a job. The film, entitled Tales of the Magical Clock , contributed to recognition by the press and the public of Starewitch Engineering. Both belonged to lesser nobility and were in hiding after the failed January Uprising against the Tsarist Russian domination. This film became the first animated work in Russian cinema history.

Of these, The Beautiful Leukanida (premiere - ), a fairy tale for beetles, earned international acclaim (one British reviewer was tricked into thinking the stars were live trained insects), while The Grasshopper and the Ant () got Starewicz decorated by the czar. But the best-known film of this period, perhaps of his entire career, was Mest' kinematograficheskogo operatora (Revenge of the Kinematograph Cameraman, aka The Cameraman's Revenge) (), a cynical work about infidelity and jealousy among the insects.

Some of the films made for Khanzhonkov feature live-action/animation interaction. In some cases, the live action consisted of footage of Starewicz's daughter Irina.

Vladislav starevich biography of nancy wilson Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia. His now-teenaged daughter Irina became his closest collaborator on the two dozen or so films that followed. But the best-known film of this period, perhaps of his entire career, was Mest' kinematograficheskogo operatora Revenge of the Kinematograph Cameraman , aka The Cameraman's Revenge , a cynical work about infidelity and jealousy among the insects. Read Edit View history.

Particularly worthy of note is Starevich's minute film The Night Before Christmas, an adaptation of the Nikolai Gogol story of the same name. The film Terrible Vengeance won the Gold Medal at an international festival in Milan in , being just one of five films which won awards among contestants. [1]

During World War I, Starewicz worked for several film companies, directing 60 live-action features, some of which were fairly successful.

After the October Revolution of , the film community largely sided with the White Army and moved from Moscow to Yalta on the Black Sea. After a brief stay, Starewicz and his family fled before the Red Army could capture the Crimea, stopping in Italy for a while before joining the Russian émigrés in Paris. There, they formed a company in the remains of Georges Méliès' old studio.

At this time, Władysław Starewicz changed his name to Ladislas Starevich, as it was easier to pronounce in French. He made one animated film for this studio, The Scarecrow, before the operation was wound up, with most of the Russians joining the Berlin or Hollywood studios.

After World War I

Wishing to remain independent, Starevich moved to Fontenay-sous-Bois and started on a series of puppet films that would last for the rest of his life.

In these films he was assisted first by his wife France Starevich and later by his daughter Irina (who had changed her name to Irène). The first of these films was Les Grenouilles qui demandent un roi (The Frogs That Demand a King, aka Frogland [US]) (), probably the closest Starevich ever came to political commentary in his French films.

  • Vladislav starevich biography of nancy allen
  • Vladislav starevich biography of nancy grace
  • Vladislav starevich biography of nancy johnson

    • Following Aesop's fable of the frogs who demand a king from the god Jupiter and are disappointed by the results, the film shows a clear preference not for the pre-monarchial or decadent democracy (which would likely be the slant of an American or French film), but for King Log's form of libertarian te:Citation needed

    During the years at Fontenay-sous-Bois, the Stareviches made two dozen films.

    Among the most notable are La Voix du rossignol (The Voice of the Nightingale) (), a hand-tinted film (some sources say Prizmacolor) starring the young "Nina Starr" (Janina Starevich) and the naturalistic nightingale who convinces her to free him, and Fétiche Mascotte (Duffy the Mascot, aka The Mascot, aka Puppet Love, aka The Devil's Ball) (), a long and strange story about a loving dog puppet who goes through Hell to get an orange to a girl dying of scurvy, selected by Terry Gilliam as one of the ten best animated films of all time.

    La Voix du rossignol was awarded the Hugo Riesenfeld Medal for being the "most novel short subject motion picture in the USA during the year ".

    Often mentioned as being among his best work, The Tale of the Fox (Template:Lang-fr, Template:Lang-de) was also his first animated feature. Although most of the production took place in Paris from –, it was finally released in Berlin in and in France in It was the third animated feature film to have sound, after Quirino Cristiani's Peludópolis () and The New Gulliver () from the Soviet Union.

    Starevich introduced sound and color into his puppet films as soon as they became available. He kept every puppet he made, so stars in one film tended to turn up as supporting characters in later works (the frogs from Grenouilles qui demandent un roi are the oldest of these).

    Vladislav Starevich died on 26 February , while working on Comme chien et chat (Like Dog and Cat).

    Vladislav starevich biography of nancy Volume II, The birth of a style-the three markets. As the Bolsheviksupporting Red Army advanced, Starewicz and his family fled the country permanently. Of these, The Beautiful Leukanida premiere — , first puppet film with a plot inspired in the story of Agamemnon and Menelaus , earned international acclaim one British reviewer thought the stars were live trained insects , while The Grasshopper and the Ant got Starewicz decorated by the czar. Starewicz pursued an artistic career despite the protest of his family, and enrolled in a painting school.

    It was left unfinished out of respect. He was one of the few European animators to be known by name in America before the s, largely on account of La Voix du rossignol and Fétiche Mascotte (The Tale of the Fox was not widely distributed in the US). His Russian films were known for their dark humor, probably an inevitable consequence of the choice of dead beetles and grasshoppers as subjects.

    Once he switched to using more ordinary puppets for his French films, his work became more lyrical. However, the fact that he was working independently had the negative effect that the films are sometimes considered too long, too lyrical, and too uncommercial. The films are united, however, by their wild imagination.

    Filmography

    Films directed in Kaunas, Lithuania (–)

    (with original titles in Polish)

    • Nad Niemnem () - Beyond the River Nemunas
    • Zycie Ważek () - The Life of the Dragonfly
    • Walka żuków () - The Battle of the Stag Beetles
    • Piękna Lukanida () - The Beautiful LukanidaTemplate:Small

    These films are currently considered lost.

    Films directed in Russia ()

    (with original titles in Russian)

    • Miest Kinomatograficheskovo Operatora () - The Cameraman’s Revenge
    • Rozhdyestvo Obitatelei Lyesa () - The Insects' Christmas
    • Strekoza I Muravei () - The Ant and the Grasshopper
    • Aviacionnaya Nedelya Nasekomykh () - Insects' Aviation Week
    • Strashnaia Myest () - The Terrible Vengeance
    • Noch' Pered Rozhdestvom () - The Night Before Christmas
    • Veselye Scenki Iz Zhizni Zhivotnykh () - Amusing Scenes from the Life of Insects
    • Puteshestvie Na Lunu () - A Journey to the Moon
    • Ruslan I Ludmilla.

      () - Ruslan and Ludmilla

    • Snegurochka.

    • Vladislav Starévich - La Venganza del Camarógrafo (1911 ...
    • Ladislas Starevich - Wikipedia
    • SFE: Starewicz, Władysław
    • La venganza del cinematógrafo, 1912 | OMNIRAMA
    • Ladislas Starevich - WikiFur, the furry encyclopedia

      • () - The Snow Maiden

    • Pasynok Marsa () - Mars’s Stepson
    • Kayser-Gogiel-Mogiel () - Gogel-Mogel General
    • Troika () - Troika
    • Fleurs Fanees - Faded Flowers
    • Le Chant Du Bagnard () - The Convict's Song
    • Portret () - (May Be Produced By The Skobeliew Committee) - The Portrait
    • Liliya Bel'gii () - The Lily of Belgium
    • Eto Tyebye Prinadlezhit () - It’s Fine for You
    • Eros I Psyche () - Eros and Psyche
    • Dvye Vstryechi () - Two Meetings
    • Le Faune En Laisse () - The Chained Faun
    • O Chom Shumielo Morie () - The Murmuring Sea
    • Taman () - Taman
    • Na Varshavskom Trakte () - On the Warsaw Highway
    • Pan Twardowski () - Mister Twardowski
    • Sashka-Naezdnik () - Sashka the Horseman
    • K Narodnoi Vlasti () - Towards People’s Power
    • Kaliostro () - Cagliostro
    • Yola () - Iola
    • Wij () - Vij
    • Sorotchinskaia Yarmaka () - The Sorotchninsk Fair
    • Maiskaya Noch () - May Night
    • Stella Maris () - Starfish

    Films directed in France (–)

    (with original titles in French)

    • Dans les Griffes de L'araignee () - In The Claws of the Spider
    • Le Mariage de Babylas () - Babylas’s Marriage
    • L'epouvantail () - The Scarecrow
    • Les Grenouilles qui Demandent un Roi () - Frogland
    • La Voix du Rossignol () - The Voice of the Nightingale
    • Amour Noir et Blanc () - Love In Black and White
    • La Petite Chanteuse des Rues () - The Little Street Singer
    • Les Yeux du Dragon () - The Eyes of the Dragon
    • Le Rat de Ville et le Rat Des Champs - () The Town Rat and the Country Rat
    • La Cigale et la Fourmi () - The Ant and the Grasshopper
    • La Reine des Papillons () - The Queen of the Butterflies
    • L'horloge Magique () - The Magic Clock
    • La Petite Parade () - The Little Parade
    • Le Lion et le Moucheron () - The Lion and the Fly
    • Le Lion Devenu Vieux () - The Old Lion
    • Fetiche Mascotte () - The Mascot
    • Fetiche Prestidigitateur () - The Ringmaster
    • Fetiche se Marie () - The Mascot’s Marriage
    • Fetiche en Voyage De Noces () - The Navigator
    • Fetiche Chez les Sirenes () - The Mascot and the Mermaids
    • Le Roman de Renard (–) - The Tale of the Fox
    • Zanzabelle a Paris () - Zanzabelle in Paris
    • Fleur de Fougere () - Fern Flowers
    • Gazouilly Petit Oiseau.

      () - Little Bird Gazouilly

    • Gueule de Bois () - Hangover
    • Un Dimanche de Gazouilly () - Gazouilly’s Sunday Picnic
    • Nez au Vent () - Nose to the Wind
    • Carrousel Boreal () - Winter Carousel
    • Comme Chien et Chat () - Like Dog and Cat

    A documentary about Starevich was made in

    Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ladislas Starevich" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic.

    See Art and Popular Culture's notice.