Bejart maurice biography of michael jackson

French dancer and choreographer Date of Birth: Country: France

Biography of Maurice Béjart

Maurice Béjart was a French dancer and choreographer who revolutionized the traditional perception of ballet.

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Born to a Kurdish-Turkish father and a Catalan mother, Béjart's diverse heritage had a profound impact on his artistic career. He began studying choreography in and made his debut in the ballet company of the Marseille Opera in Wanting to further develop his creative style, Béjart continued his education with renowned teachers such as L.

Stats, L.N. Egorova, Madame Ruzan in Paris, and V. Volkova in London, mastering various choreographic techniques.

In the early stages of his career, Béjart performed with different ballet companies, including those led by R. Petit and J. Charrat in , as well as the "Inglesby International Ballet" in London in and the Royal Swedish Ballet from These experiences greatly influenced his future work as a ballet master, with his style gradually becoming eclectic, synthesizing techniques from various choreographic systems.

Béjart's breakthrough as a choreographer came in Sweden, where he debuted with fragments of Igor Stravinsky's ballet "The Firebird" for a film.

In , he co-founded the "Ballet de l'Étoile" in Paris with Jean Laurent, where he directed and performed in ballets that combined classical and contemporary works. His repertoire included "A Midsummer Night's Dream" to the music of Frédéric Chopin in , "The Taming of the Shrew" to Domenico Scarlatti's music in the following year, and three ballets in - "Beauty in a Boa" to Gioachino Rossini's music, "Journey to the Heart of a Child," and "Rite" by Henri.

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Béjart continued to develop this principle throughout his career, choreographing "Tanit, or the Twilight of the Gods" in and "Prometheus" in

In , Béjart's choreography for "The Rite of Spring," performed by the Royal Ballet of Belgium at the Monnaie Theatre in Brussels, received enthusiastic acclaim. Inspired by this success, Béjart finally established his own dance company, "Béjart Ballet of the 20th Century," in The company's core members were selected from the Brussels ballet company, and performances were initially held in Brussels before relocating to Lausanne.

The company, known as the "Béjart Ballet," embarked on grand experiments, creating synthetic performances that equally incorporated dance, pantomime, singing, and sometimes spoken word. These productions demanded larger stage spaces, and Béjart introduced the use of sports arenas for his choreographic creations, involving orchestras, choirs, and dancers in various locations simultaneously.

This immersive approach aimed to engage and captivate the audience, often utilizing giant screens to display images of individual dancers.

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One notable synthesis production was "The Martyrdom of Saint Sebastian" in , featuring a stage orchestra, choir, vocal soloists, and ballet.

Throughout his career, Béjart has sought to combine different forms of art in his productions. In , he choreographed "Gala" to Scarlatti's music, which premiered at the Teatro La Fenice in Venice.

That same year, Béjart collaborated with E. Cluysenaar and J. Charrat in Brussels to create the synthetic production "Four Sons of Aymon" to music from the 15th and 16th centuries.

Béjart's innovative artistic endeavors have garnered attention from audiences and experts alike. In and , he received the Prix du Théâtre des Nations, and in , he was honored at the Paris Dance Festival.

To further develop his artistic vision, Béjart founded the "Mudra School-Studio" in Brussels in Reflecting the spectacle and provocation characteristic of the 20th century, the name "Mudra" was an acronym invented by Béjart, emphasizing his interest in Eastern classical dance.

Béjart remains highly sought after to stage productions in various theaters, but he also maintains personal connections with certain dancers.

For many years, he collaborated with Maya Plisetskaya, choreographing the ballet "Isadora" and several solo concert pieces for her final performances.

Bejart maurice biography of michael jackson for kids While not widely publicized, his net worth is undoubtedly influenced by his internet presence and unique persona. Michael Jackson, often hailed as the "King of Pop," reached the pinnacle of his career with the release of his sixth studio album, "Thriller", in Through his music, dance, and philanthropy, he touched the hearts and souls of millions, leaving an indelible mark on the cultural landscape. He believes that through artistic and aesthetic experiments, such as those he conducts, the fundamental universal roots of dance can be revealed, transcending cultural and ethnic boundaries.

One of the most notable works is the mini-ballet "Vision of the Rose." Béjart also had a longstanding partnership with Vladimir Vasiliev. Vasiliev performed Béjart's version of Igor Stravinsky's "Petrushka" for the first time and, alongside Ekaterina Maximova, danced the lead roles in Sergei Prokofiev's ballet "Romeo and Juliet." In , Béjart's company toured Moscow and Leningrad, leaving a lasting impression on Russian audiences.

Béjart's theoretical statements emphasize the return of dance to its original ritualistic nature and significance.

He believes that through artistic and aesthetic experiments, such as those he conducts, the fundamental universal roots of dance can be revealed, transcending cultural and ethnic boundaries. This enduring curiosity has led Béjart to explore choreographic cultures in the East and Africa, particularly showing a deep interest in Japanese art.

Consequently, many of the dancers working with him are of Japanese origin.

Today, Béjart continues to be invited by various theaters to stage individual productions, but his artistic legacy remains unparalleled. His multifaceted and controversial approach to choreography has left an indelible mark on contemporary dance.